The weather gods were with us this month, as the 12 inches of snow held off until the day after our Scandinavian Weavers meeting.
Jan Mostrom brought two books on Swedish weaving. She purchased the beautiful and huge Swedish Textile Art: The Khalili Collection, by Viveka Hansen, online. What’s the best thing about the book, I asked. The pictures. When she took the Swedish art weaves class in Sweden last summer, that book was in the classroom, and the students used it to pick out design elements for their samplers. If you look for this book online, note that there are English and Swedish editions.
In talking about buying weaving and textile books, Patty Johnson advised, “When a weaving book comes out, buy it, because when it goes out of print, it will cost way too much. They do all short runs with them.” These days, out-of-print weaving books are ridiculously expensive when trying to buy them online.
Jan also brought this small book that she bought in Sweden.
We had a round of introductions, because we have so many interested members of the group that can come only occasionally. Every month there is bound to be a few people who have not met one another. We asked each person to mention the weaving technique they like the most, or if that’s too hard, maybe mention the one they like the least.
Jan Mostrom said, “The technique I like the most is the one I am currently using. But if I’m having problems, that’s the one I like least.” Jan is a fan of krokbragd and danskbrogd, and she is teaching a class at the Weavers Guild on the techniques starting on January 29, the week that traffic in the whole city might be a giant Super Bowl snarl. Janis Aune and I also said that krokbragd and danskbrogd are favorite techniques.
Jan Josifek said her favorite technique these days is baltic pickup. She said, “I like doing it so much I have to hide my loom.” She brought two beautiful pieces. The pattern for this band was from the book
Patterned Sashes: The Common Cultural Layer by Anete Karlsone. The Latvian language title is: “Rakstainas Jostas: Kopigais Kulturslanis.” She got her copy from The Baltic Smith on Easy,
here. Jan thought that Vavstuga may be selling an English edition when it is available.
Patty Johnson, who favors her draw loom, said techniques with fine threads are her favorites. Jane Connett said, “I like to do small stuff; I like small designs and lots of color.” As you might guess, Jane does a lot of band weaving. She’s also taken up tatting, which she likes because it is portable.
Claire Most said, “I need to have two things going.” She likes to balance the slow work of tapestry with ikat dyeing. She added about working on tapestry, “I find it difficult to be that quiet.” Claire’s latest tapestry, “Lily,” is included in the “Common Thread” member show at the
Textile Center of Minnesota now.
Judy Larson likes to work in a larger scale, and particularly likes the Finnish three-shuttle technique used with fabric strips. She brought a set of three rugs from her last warp–all WILDLY different.
One of the rugs was woven with fabric from the stash of Chuck Benson, a Weavers Guild member and fabulous rug weaver who passed away last year. Judy said they were fabrics she never would have chosen, especially the addition of black, but they worked well.
Kevin Olson shared a tapestry he took off the loom recently, not quite in time for his wedding anniversary. It’s adapted from a Swedish pattern. The peonies and irises are from his wedding, and the six roses stand for the six years he has been with his husband. The figures hold a wedding certificate, which is a meaningful addition to the composition, but it was also an adaptation because weaving hands was tricky! He still has quite a bit of finishing work to do, both working in the mass of threads on the back, and figuring out how to mount it. He wove it on his recently purchased upright Glimakra tapestry loom.
Janis Aune brought the small bag made from the sampler she wove at the Swedish art weaves course she took in Sweden last summer. (Read more about the class in the recent issue of the
Norwegian Textile Letter.)
The study topic this year is a continuation of Swedish weaving, and we are interested in setting up another group warp on a Weavers Guild loom. (The last group warp was dukagang last year.) We planned to brainstorm at the next meeting, but by the end of our discussion there was enthusiasm for planning a half-heddle pick-up piece (Norwegian skilbragd, Swedish opphämta). Patty Johnson has all of the half-heddle sticks already.
Our next two meetings will be one week later than the usual third Sunday; they will be on February 25 and March 25. April and May 20 are the final spring meetings.
I have to admit, it’s satisfying and fun when a new class catalog comes out, and I find my classes listed. I love teaching the billedvev (Norwegian tapestry) class at the Vesterheim Norwegian American Museum, and my session from September 12-15, 2019, is listed in the new print and online catalogs.
Ellen married Don Anderson in 1958 and they had two children, Kent and Karin. She was an excellent strawberry farmer, beekeeper, weaver, painter, cook and caregiver. She took care of both of her parents; Inga lived to the age of 106.
Lila Nelson, who died in 2015 at age 93, was the Registrar and Curator of Textiles at the Vesterheim Norwegian American Museum for 27 years, and a mentor to many of the weavers whose works are in the “
Most of the virgins in the old tapestries held stylized small squares to their faces. (See the detail here, from a 
Scandinavian Weavers Study Group 