A Wonderful Scanian Art Weaves Adventure

For the new issue of The Norwegian Textile Letter, Edi Thorstensson did a wonderful job of gathering the thoughts and images of several lucky Americans who took a Swedish Art Weaves course last summer in Landskrona, Sweden. Like me, you will be sad you were not there too!

A Wonderful Scanian Art Weaves Adventure
Weaving the Art Weaves of Skåne
Inspiration, Outreach, and Connection  
Gunvor Johansson’s Exhibit at Bosjökloster
Fika and the Joy of Lingonberry Cake

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In the same issue, don’t miss the article about the enduring image of The Wise and Foolish Virgins in Norwegian billedvev (tapestry) and about Annemor Sundbø’s adventures in processing nettles for fiber.   The Norwegian Textile Letter

Flowers Translated to Thread

Two of the rya pieces in the “Traditional Norwegian Weaving: American Reboot” exhibit are direct responses to flowers, both Norwegian and American.

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Corwyn K. Knutson

Corwyn Knutson, from St. Paul, wove “Hardanger Cherry Blossoms,” inspired by flowers he saw on a memorable driving trip through Norway.  The trees with red, pink, and purple form a beautiful abstract image.  It is so deftly balanced, in fact, that it was once hung in an exhibit upside-down and  it was just as beautiful! Corwyn’s rya was a double winner at the Minnesota State Fair; it received a blue ribbon and the Doris Tufte award for Creative Loom Weaving in Scandinavian Tradition.

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Marilyn Moore

Marilyn Moore, from Cedar, Minnesota, learned to weave rya from Jan Mostrom, co-curator of the “American Reboot” exhibit, at the Weavers Guild of Minnesota. Excited about the possibilities of color blending, Marilyn quickly moved to an interpretation of her perennial garden, which includes 25 varieties of day lilies and gives her color all summer long. Marilyn wrote, “It  introduced me to a freedom that I had not experienced before working with color and fiber, and I loved every minute of it.”

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This summer, enjoy flowers outdoors and the indoors at the Norway House Galleri, from July 20-September 10.  Come to the opening!  July 20, 5-8 pm.

A Two-sided Textile: Pick Your favorite Side

Iowa artist Laura Demuth sets up amazing weaving challenges for herself.  Often, not content with just buying and weaving with beautiful wool, she spins and dyes yarn from her own sheep.  In a number of weavings she has gone beyond weaving for beauty on one side, and combined techniques to make unique two-sided textiles.  One of those will be included in the upcoming “Traditional Norwegian Weaving: American Reboot” exhibit at Norway House from July 20-September 10, 2017.

On one side of the hanging, Laura wove an intricate pattern in a complex doubleweave technique.  She hid the knots of the rya pile between the two layers of the doubleweave. Because the doubleweave pick-up surface needs to be the upper side during weaving, she tied the knots upside-down on the lower surface. (Rya weavers would understand: this is tricky.)

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On the other side, colorful stripes of beautifully-blended yarns are dense and enticing. This piece perfectly fulfills its purpose as a warm throw.

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Biography:

Laura Demuth has been weaving for over 30 years and enjoys all aspects of textile production, from raising the sheep to taking a finished piece off the loom. Living on a small acreage just  seven miles northeast of Decorah, Iowa, Laura has a small flock of registered Blue Faced Leicester sheep that keep her hands busy spinning wool all winter. She often dyes the handspun yarn with natural dyes from the garden before putting it to use in a woven or knitted textile.

Because Laura lives so close to Decorah, Vesterheim Norwegian American Museum has been a continual source of education and inspiration throughout her weaving career. Laura has  focused on traditional weaving structures and techniques, especially bound weave and doubleweave.

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Don’t miss this piece and so many more in “Traditional Norwegian Weaving: American Reboot.” The opening night at Norway House, July 20, 5-8, would be a smashing time for a first peek.

Traditional Norwegian Weaving: American Reboot


Traditional Norwegian Weaving: American Reboot

An Exhibit at Norway House: July 20-September 10, 2017
Sponsored by Norway House and the Weavers Guild of Minnesota

 

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A traditional krokbragd coverlet from the collection of the Vesterheim Norwegian American Museum

Make Minneapolis your destination thus summer for an exhibit joining Norwegian weaving past and present. Inspired by historical textiles, American weavers have used Norwegian weaving techniques to create a new body of work, contemporary in design or materials. Enjoy traditional pieces from the collection of the Vesterheim Norwegian American Museum and outstanding weavings from recent decades that honor the past and break through with modern expression.  

The exhibit of invited pieces (40 in all) is based around several techniques, including rya; tapestry; krokbragd and other boundweave variants; band weaving; and overshot weaves such as monks belt and skilbragd.  Other pieces are chosen to illustrate where American weavers learned their skills in Norwegian techniques, and where weaving in the Norwegian tradition has been exhibited over the years.

Related events include lectures and classes and weaving demonstrations.  A loom will be set up in the gallery where members of the Scandinavian Weavers Study Group will weave a rutevev (square weave) runner.

  • Opening celebration: Thursday, July 20, 2017, 5-8 pm.
  • Gallery talks: Sundays, July 23 and August 13, 2 pm.
  • Weaving demonstrations: Wednesdays and Sundays from July 23-September 10, 12 pm-3 pm
  • Afternoon with an Expert, featuring Laurann Gilbertson, Curator, Vesterheim Norwegian-American Museum: Saturday, September 9, 1-3:30 pm.  Following the lecture, “Warmth and Color: Traditional Norwegian Coverlets,” Gilbertson will conduct an Antique ID clinic.  Members of the public are encouraged to bring Nordic textiles to learn more about their age, origin, and function (but no appraisals).   
  • Classes: Sami-style Band Weaving, Mondays, August 14 and 21, 12-4 pm; Make a Viking Knit Bracelet, Monday, July 24, 10 am-2 pm; Cardboard Loom Weaving for Kids, Monday, August 7, 10 am – noon.

IMG_5189Information on the exhibit is also found on the Norway House website. Be sure to sign up for Sami-style Band Weaving with Keith Pierce, or Make a Viking Knit Bracelet with Melba Granlund. Maybe you know a kid to sign up for the fun introduction to weaving. This is a special opportunity to see the weaving exhibit in depth, as these Weavers Guild classes will be held at Norway House, right in the main gallery.

Also, follow the Scandinavian Weavers Study Group blog in the coming weeks to read about many of the individual pieces.

This 19th century “boat rya,” a treasure of the Vesterheim Norwegian-American Museum, will hang next to several contemporary rya weavings.

 

The Dukagång Experiment–Cut off the Loom

Several curious Scandinavian Weavers Group members gathered to cut the dukagång group warp off the Glimakra last night.  It was so fun to see the completed pieces, right side up, and not just peeking from the back of the loom as they rolled around the beam.  Jan Mostrom, who should be duly thanked for her work setting up the project and getting the yarn, clipped it off. (There was a section of unwoven warp at the very end, which Lisa Torvik is going to use for firfletting.)

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Mary Skoy brought her sewing machine and sewed fine, straight seams between the pieces so they could be cut apart without raveling.

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Melba Granlund was the designated snipper.

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Oh, you wanted to see the individual pieces?  Coming soon.  They will be displayed on a wall of the Weavers Guild, and published here, on Friday.

Grene Demonstration on a Warp-Weighted Loom

Melba Granlund set up a warp-weighted loom (courtesy of the Vesterheim Norwegian-American Museum) at the 2017 Shepherd’s Harvest Festival, as part of the Weavers Guild of Minnesota booth.  She started work on a traditional Sami-style grene, a banded coverlet technique woven with thick, lofty wool.  It was a smashing success!  Though she planned to give a formal presentation at one point, that never happened.  Instead, she was inundated with questions from curious visitors from beginning to end.  And all that didn’t leave time for much actual weaving progress, only about 4-1/2 inches.

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With the festival over, and the loom moved back to her home, Melba is continuing the project.  Watch the blog for updates on the grene, and a description of the wonderful yarn she is using.

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Did you miss this cool loom at the Shepherd’s Harvest Festival this year?  There’s always 2018.  Melba said that there was so much interest that a warp-weighted loom demo would be great for next year, too.

Norwegian Yarn in the Swedish Dukagång

Karin Maahs finished her piece, and her pattern weft was sentimental. She used thin Norwegian yarn her grandmother used to embroider bunads (Norwegian costumes).

One day her pattern was sitting on the loom. “Oh nice, that’s what was just finished,” I thought as I snapped this photo.  Clearly I had not looked carefully, as that was the just completed piece, and Karin’s pattern ready to start.  Weaving from the back makes this process hard to document!

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Here’s Karin’s piece, underway.  It will be nice to photograph all the pieces once they are off the loom.  For now, it still looks great at this weird angle.

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