RED – Phyllis Waggoner

“Untitled”  8’6” x 27”  Technique: 4 shaft point twill variation, treadles tied for 2/2 twill, “woven on opposites”  Materials:  5/8 linen warp, sett 6 epi, 3 ply rugwool weft.

In the case of Phyllis’ long, beautiful rug, red was part of a color challenge — could she make the red work with the other colors? She had a great deal of yarn left after completing a commission. Rather than weave a shorter red rug, she chose to use all the colors to weave a long rug.  “Necessity is the mother of invention,” and Phyllis invented a design to make use of her red, and more.

Unfortunately, the gallery configuration made it impossible to get a great head-on shot of Phyllis’s beautiful rug.  You’ll have to visit it in person, or look at it obliquely here.

FullSizeRender

 

RED – Veronna Capone

Five Studies. Each 6″ x 6.”  Linen weft, wool warp.

Five small tapestries.  The first of these five small tapestries uses traditional Norwegian ‘lynild,’ or lightning weave’; the others are in rutevev, or square weave.

veronnaFullSizeRender-4FullSizeRender-3FullSizeRender-2FullSizeRender-1

RED – Judy Larson

“Rolokan Reds.” 30″ x 29″ Cotton warp, cotton weft.  Rolokan.

Judy used a variety of red quilting cotton prints in a rolokan (Swedish tapestry) technique, spacing out the “flames” with tabby stripes.  At a distance, the sharp edges of the flame-like image is graphic and bold.  It’s worth a close look, too, where the patterns in the fabric strips look unusually dizzying.

IMG_5540

judy-details

RED – Lisa Torvik

“Transparent Tapestry #2 – Friends” 17″ x 13″ Linen and refleksgarn (reflective yarn).  Transparency Technique

This is part of a planned series of four transparent tapestries featuring a Scandinavian reflective yarn.

heart

 

RED – Lisa-Anne Bauch

Hraun. (Lava) 11.5″ x 7″  Technique: Boundweave. Materials: Cotton warp, wool weft, wood button.

lisa-bag

Inspired by lava!

Lava

lisa

RED – Connie LaTendresse

Checkered Pillow.  18″ x 18″  Linen, poppana fabric strips.

pillows

IMG_4777Connie’s checkered pillow is one of a pair woven in a beautiful design from the book Scandinavian Weaving by Tina Ignell.  She ordered red and navy popanna, a bias-cut cotton fabric, from WEBS and the seine twine from Vavstuga. The weaving went incredibly fast and looked just like the photograph in the book, but when she took it off the loom, she just didn’t really like it or know what to do with it. It languished in a closet.  When the Scandinavian Weavers group began its focus on red, she took it to the fabric store and found the perfect backing to complement both colors.  Sometimes a weaving just has to wait for the right moment to be the perfect something.  The checkerboard pattern works especially well  as a pillow, as the curved edges of the pillowtop give an “op art” effect to the small squares.

RED – Claire Most

Theme and Variation. 27″ x 45″ Double-binding technique. Cotton warp and cotton fabric weft.

IMG_5276