The weather gods were with us this month, as the 12 inches of snow held off until the day after our Scandinavian Weavers meeting.
Jan Mostrom brought two books on Swedish weaving. She purchased the beautiful and huge Swedish Textile Art: The Khalili Collection, by Viveka Hansen, online. What’s the best thing about the book, I asked. The pictures. When she took the Swedish art weaves class in Sweden last summer, that book was in the classroom, and the students used it to pick out design elements for their samplers. If you look for this book online, note that there are English and Swedish editions.
In talking about buying weaving and textile books, Patty Johnson advised, “When a weaving book comes out, buy it, because when it goes out of print, it will cost way too much. They do all short runs with them.” These days, out-of-print weaving books are ridiculously expensive when trying to buy them online.
We had a round of introductions, because we have so many interested members of the group that can come only occasionally. Every month there is bound to be a few people who have not met one another. We asked each person to mention the weaving technique they like the most, or if that’s too hard, maybe mention the one they like the least.
Jan Mostrom said, “The technique I like the most is the one I am currently using. But if I’m having problems, that’s the one I like least.” Jan is a fan of krokbragd and danskbrogd, and she is teaching a class at the Weavers Guild on the techniques starting on January 29, the week that traffic in the whole city might be a giant Super Bowl snarl. Janis Aune and I also said that krokbragd and danskbrogd are favorite techniques.
Jan Josifek said her favorite technique these days is baltic pickup. She said, “I like doing it so much I have to hide my loom.” She brought two beautiful pieces. The pattern for this band was from the book Patterned Sashes: The Common Cultural Layer by Anete Karlsone. The Latvian language title is: “Rakstainas Jostas: Kopigais Kulturslanis.” She got her copy from The Baltic Smith on Easy, here. Jan thought that Vavstuga may be selling an English edition when it is available.
Patty Johnson, who favors her draw loom, said techniques with fine threads are her favorites. Jane Connett said, “I like to do small stuff; I like small designs and lots of color.” As you might guess, Jane does a lot of band weaving. She’s also taken up tatting, which she likes because it is portable.
Claire Most said, “I need to have two things going.” She likes to balance the slow work of tapestry with ikat dyeing. She added about working on tapestry, “I find it difficult to be that quiet.” Claire’s latest tapestry, “Lily,” is included in the “Common Thread” member show at the Textile Center of Minnesota now.
Judy Larson likes to work in a larger scale, and particularly likes the Finnish three-shuttle technique used with fabric strips. She brought a set of three rugs from her last warp–all WILDLY different.
One of the rugs was woven with fabric from the stash of Chuck Benson, a Weavers Guild member and fabulous rug weaver who passed away last year. Judy said they were fabrics she never would have chosen, especially the addition of black, but they worked well.
Kevin Olson shared a tapestry he took off the loom recently, not quite in time for his wedding anniversary. It’s adapted from a Swedish pattern. The peonies and irises are from his wedding, and the six roses stand for the six years he has been with his husband. The figures hold a wedding certificate, which is a meaningful addition to the composition, but it was also an adaptation because weaving hands was tricky! He still has quite a bit of finishing work to do, both working in the mass of threads on the back, and figuring out how to mount it. He wove it on his recently purchased upright Glimakra tapestry loom.
Janis Aune brought the small bag made from the sampler she wove at the Swedish art weaves course she took in Sweden last summer. (Read more about the class in the recent issue of the Norwegian Textile Letter.)
My show and tell was a pillow with fringe made in a Norwegian technique, part of my preparation for a class at North House Folk School, Scandinavian Fringe Embellishments: Folk Art on the Edge(s).
The study topic this year is a continuation of Swedish weaving, and we are interested in setting up another group warp on a Weavers Guild loom. (The last group warp was dukagang last year.) We planned to brainstorm at the next meeting, but by the end of our discussion there was enthusiasm for planning a half-heddle pick-up piece (Norwegian skilbragd, Swedish opphämta). Patty Johnson has all of the half-heddle sticks already.
Our next two meetings will be one week later than the usual third Sunday; they will be on February 25 and March 25. April and May 20 are the final spring meetings.
The Winter-Spring classes at the 
The last weekend of the Weavers Guild of Minnesota and Norway House exhibition, “
When? 12-3 on Wednesday, August 30 and Sunday, September 3, 2017
Each Wednesday and Sunday until September 10 (12-3 pm), volunteers from the Weavers Guild of Minnesota Scandinavian Weavers Study Group are demonstrating weaving in the Galleri at 
The runner is a variant of a large rutevev in the exhibit, one that was also woven by people demonstrating weaving. In that case, it was the Oneota Weavers Guild in Iowa who wove on a large loom at the Vesterheim Norwegian-American Museum. In the past couple of decades, the guild members have woven four large rutevev coverlets.
Traditional Norwegian symbols often appear in Robbie’s weaving, sometimes in an unexpected scale or materials. “Scandinavian Star” highlights a single Norwegian star, dense in shade of red rya pile. Read more about the piece in “
Recently, Robbie has been experimenting with Danskbrogd, a boundweave technique found in the area of Vest Agder, near Kristiansand in Norway. Here is a detail from a piece seen in Norway earlier this summer.
Robbie was steeped in gray during a gray winter month, so the next step was to move to color. The X design became bigger and bolder, on stripes of purple. Read more in “
“Folk Dance” by Jan Mostrom (NFS) hangs behind the desk where Galleri guests are greeted. Jan wrote, “I was inspired by a coverlet from Vesterheim that had both single point krokbragd and double point krokbragd. My weaving has single krokbragd borders with a double krokbragd center. The joyful colors reminded me of the spinning colors of Norwegian folk dancers. ”
Nearby is Jan’s “Northland” (NFS), a weaving in wool with rows of surprising rya knots — in reindeer skin. “I purchased a dyed red reindeer skin in north Norway on a Textile Tour to learn about the Sami culture of northern Scandinavia and Russia. This danskbrogd weaving of tree forms against a snowy white background has red leather rya knots. The colors, spare trees and reindeer leather remind me of Norway above the Arctic Circle.”
Sami-Style Band Weaving, Mondays, August 14 & 21: 12:00pm – 4:00pm. $72 WGM member / $96 Non-Member. Additional details and sign-up 
Scandinavian Weavers Study Group 