Blog

  • Summer 2025 (Part One)

    It’s been a beautiful summer here in Minnesota! While our Scandinavian Weavers group doesn’t meet during the summer months, individual weavers have been busy with all sorts of creative activities.

    Moose Mountain in Minnesota. Photo by Holly Hildebrandt.

    Holly Hildebrandt wove a tapestry for her wedding anniversary. “For our honeymoon back in 2021, we had to keep it more local than we would have liked because of Covid” she explains, “but ended up having the most magical time in Lutsen and Grand Marais. The North Shore has always been very special to both of us, having grown up in Duluth. We stayed on the ski hill in the middle of summer, when Moose Mountain was covered in wildflowers. This June we recreated our honeymoon and returned there. I got to work on the tapestry with the mountain in view and then again at the lake.”

    Tapestry in progress at Lake Superior. Photo by Holly Hildebrandt.
    The finished tapestry! Photo by Holly Hildebrandt.

    Holly also took on a weaving commission for a friend’s parents’ 50th wedding anniversary. “The different colors represent significant life events – the births of the children, weddings, grandchildren, deaths of parents, places they lived, pets. My friend – their son – sent me a spreadsheet of events. I simply translated it into fiber,” Holly explains.

    Anniversary weaving in progress. Photo by Holly Hildebrandt.

    Holly says, “Their timeline created such a beautiful composition. Just such a neat way to visualize their lives together!”

    The finished weaving. Photo by Holly Hildebrandt.

    Abbey Nielsen has been busy carving and painting heddles for traditional Norwegian band weaving. Can you pick a favorite?

    Abbey Nielsen’s hand-carved and hand-painted heddles. Photo by Abbey Nielsen.

    Don’t these make you want to learn band weaving?

    Photo by Abbey Nielsen.
    Photo by Abbey Nielsen.

    Abbey also wove some wonderfully nubby plain weave on her rigid heddle loom, displayed here among the summer flowers. 

    Weaving and photo by Abbey Nielsen.

    Patty Johnson, who is a master of Swedish weaving, wove this lovely blue piece on her drawloom.

    Photo by Patty Johnson.

    Patty also hosted a day of indigo dyeing at Color Crossing in Wisconsin. Mary Skoy took the opportunity to make a gift for a friend’s cabin.

    Mary Skoy in the dye lab at Color Crossing. Photo by Patty Johonson.
    Photo by Patty Johnson.

    Alla Hale spent the summer converting a shed in her backyard into her very own weaving studio. “My husband and I even dug a 50′ long 20″ deep trench to run electrical to the shed,” she says, “so that I can weave past sun-down.”

    Alla’s shed in progress, with help from her handy husband. Photo by Alla Hale.

    “I bought Jan Johnson‘s first loom from her, an 8-shaft Kessenich, to put in [the studio],” Alla reports. “I’m slowly gathering chairs, shelving, and other furnishings. I’m also considering what color to paint the interior. I am taking suggestions if people have opinions! I’ve been working on a rag rug that shows the elevation profile of Moose Mountain as my husband ran it during the Superior Ultra Marathon a few years back.” (Yes, that is the same Moose Mountain that inspired Holly. Minnesota is full of natural beauty!)

    Rug in progress. Photo by Alla Hale.

    Judy Larson wove a set of towels 8/2 and 6/2 cotton, using a twill draft from Handwoven May/June 2021. “I even got one of my Swedish family visitors to weave a stripe!” she reports. “It was a great way to play with color combinations.”

    Judy’s towels. Photo by Judy Larson.

    Another summer project by Judy were these woven paraments. “I wanted to have the [Theo] Moorman graphics work with a monks-belt background,” Judy explains. “I figured out several ways it didn’t work before I was successful! The graphics are woven horizontally, so my monks-belt blocks actually go vertically. This was a project where being stubborn was both good and bad, but figuring it out was a great puzzle. Since I had added two shafts for the Moorman, the back also had a different look than usual monks-belt blocks.”

    Fortunately, Judy enjoys a weaving challenge! Photo Judy Larson.

    Lori Labs enjoyed weaving the “Viking Twill” towel pattern from Handwoven magazine as part of a Scandinavian Weavers group project. (See previous blog post). She wove these for her own home in beautiful shades of green and blue.

    Photo by Lori Labs.

    Fortunately, Lori’s dog Cash gave the towels his seal of approval!

    Photo of Cash by Lori Labs.

    Stay tuned for Part Two to see more summer weaving!

  • May Festivities

    May Festivities

    As in Scandinavia, summers here in Minnesota are short, and every day must be treasured. Hence, the Scandinavian Weavers group takes the summer off from our regular meetings, although the weaving continues—at home, at the Weavers Guild of Minnesota, and for some lucky folks, at the cabin.

    Our May meeting is always festive, to celebrate the beginning of this precious season. This month, we met at Color Crossing in Roberts, just a short drive from the Twin Cities amid the beautiful rolling hills of western Wisconsin.

    One of the many floor looms at Color Crossing, flanked by a rug by Judy Larson. The quilt behind the loom is by Color Crossing studio artist Nancy Gavin.

    Color Crossing is the brainchild of Patty Kuebker Johnson, weaver and weaving teacher extraordinaire. Her warm and generous spirit permeates the studio.

    Patty Kuebker Johnson, at home in Roberts, Wisconsin.

    Some fun facts about Patty:

    –She owns 11 looms—and that’s only counting the floor looms!

    –She is a specialist in Swedish weaving and can take apart and re-assemble a Glimåkra floor loom in less than 20 minutes.

    –She has introduced hundreds of students in local schools to the art of weaving. (It helps that she owns 15 inkle looms.)

    –She has over 300 weaving books, plus every issue of Handwoven magazine going back to 1991.

    Robbie LaFleur unveils her latest open-warp tapestry with the help of Patty Kuebker Johnson. The rug behind them is by Judy Larson.

    Color Crossing has had several incarnations, starting as Patty’s dairy equipment business, then her yarn shop, and now a space for learning, creativity, and community.

    Color Crossing is not only a home for weavers—see profiles below—but also visual artists, quilters, fiber artists, and jewelry designers. Seventeen artists in all make Color Crossing their creative home. It’s also a great place to buy Swedish weaving equipment and yarn!

    A rainbow of weaving yarn!
    Did I mention Color Crossing is a weaver’s paradise?
    Need a giant warping reel? Color Crossing has one!

    Besides Patty, two other members of the Scandinavian Weavers group are Color Crossing studio artists.

    Jane Connett with some of her many intricate weavings.

    Jane Connett likes to do a variety of small intricate weavings and shows her expertise in many artistic endeavors. Jane also does Ukrainian Easter Eggs, kumihimo, band weavings, and tapestry. She has a fantastic sense of color and loves to share her vast knowledge and passion for fiber arts with others. 

    Besides being a talented weaver, Jane Connett also paints Ukrainian-style Easter eggs.
    This one is my favorite!

    Judy Larson learned to weave from Patty and is herself a highly sought-after weaving teacher. She is also known for her amazing rugs, woven in her signature shades of blue.

    Judy Larson with one of her many beautiful blue rugs.
    More of Judy’s rugs for sale at Color Crossing. Do you recognize the wedge weave rug from last summer’s project at the American Swedish Institute?

    Judy generously shares her weaving knowledge with the public by demonstrating weaving on many occasions. Here’, she gets a little help from a visitor:

    To learn more about Color Crossing–or better yet, to stop by in person–visit their website.

    https://www.colorcrossing.com/

    Color Crossing is one of many artists’ studios in the St. Croix River Valley. You can visit all of them in the upcoming artOpener tour, June 6, 7, and 8. Link:

    https://www.artopener.org/

    You never know what treasures you’ll find at Color Crossing!
    Another tiny treasure!
    Color Crossing is not just for weavers! Here, quilter Nancy Gavin is hard at work on another gorgeous quilt.

  • Tusen Takk!

    Many thanks to Norway House in Minneapolis for hosting our retrospective exhibit “Vibrant Tradition: Scandinavian Weaving in the Midwest” and to the more than 1,000 guests who visited.

    Many thanks to the Vibrant Tradition committee for all their hard work. From left: Peg Hansen, Robbie LaFleur, Beth Detlie, and Mary Skoy. Photo by Lisa-Anne Bauch.

    We were sad to see the colorful weavings come down from the walls but heartened by the many kinds comments written in the guest book. We were especially touched when guests reminisced about the weavers from the Scandinavian tradition in their own families:

    “My maternal Swedish grandmother wove rag rugs.”

    “My grandmother studied Scandinavian and specifically Norwegian weaving and it’s very cool to see her techniques here!”

    “My mother was a spinner and weaver…She would have loved Vibrant Traditions. Going through your exhibit was like spending the day with my mother…”

    “My father was a Weavers Guild member for many years. He is smiling.”

    Remember, you can always visit this page on our blog to see photos of each weaving in the exhibit, along with artists’ statements.

    If you haven’t visited Norway House yet, plan to stop by. We especially recommend their weekly Hygge Happy Hour! (Thursdays from 4:00 to 8:00 PM.) Follow along on social media to learn more about the many programs , classes, and exhibits.

    https://www.norwayhouse.org/

  • “Vibrant Tradition” Extended!

    Photo by Lisa-Anne Bauch

    So many visitors have enjoyed our latest exhibit, featuring 49 contemporary and traditional weavings in the Scandinavian tradition, and we are thrilled to be invited to stay a little longer.

    Norway House is located at 913 E Franklin Ave in Minneapolis and features ample parking. While you’re there, stop by the Kaffebar for refreshments and be sure to visit ALSO Ingebretsen’s Gavebutikk, offering Norwegian-themed handcrafts, books, clothing, cookware, children’s items, jewelry, and more.

    The exhibit is free for members of the Weavers Guild of Minnesota and Norway House; all others $5. See the Norway House website for the building hours of operation:

    https://www.norwayhouse.org/

    Photo by Beth Detlie

    Norway House hosts continual programming for all ages, including language and craft classes, family activities, music, performances, and Hygge Happy Hours. On February 22 and March 22, volunteers from the Scandinavian Weavers presented Family Fiber Fun Days. The March event began with a group from a local retirement center, Becketwood. Residents were eager to try their hand at Peg Hansen’s handmade warp-weighted loom.

    Photo by Beth Detlie

    In all, more than 60 visitors sampled a variety of weaving activities. It turns out even tiny fingers can work an inkle loom!

    Photo by Peg Hansen

    The Family Fiber Day demonstrators (Beth Detlie, Nancy Ebner, Melba Granlund, Holly Hildebrandt, and Peg Hansen) gave away at least 10 frame looms with shuttles so visitors could finish weaving at home.

    Photo by Peg Hansen

    The Family Fiber Day demonstrators (Beth Detlie, Nancy Ebner, Melba Granlund, Holly Hildebrandt, and Peg Hansen) gave away at least 10 frame looms with shuttles so visitors could finish weaving at home.

  • The Genius of a Great Exhibit Installation

    Everyone visiting the new exhibition at Norway House, “Vibrant Tradition: Scandinavian Weaving in the Midwest,” is struck by the intensity of color and texture on the walls lined with weavings. Carstens Smith, Education Coordinator at Norway House, stood in the center of the gallery and said seriously, “You really have to come in person. You can’t capture it fully on film or video.” So you should come!

    Another reason the exhibit is so striking is the amazing work of the team that installed the show. Three days were scheduled to fit the 49 submitted pieces into the gallery. Three veterans of many exhibition installations — Beth McLaughlin, Phyllis Waggoner, and Susan Larson-Fleming — took the lead, laid out the weavings, and hung them beautifully by the end of the first day! Beth Detlie and Peg Hansen provided crucial support; they prepped the tangled hanging devices and made runs to the hardware store for supplies. 

    On Wednesday Melba Granlund came in to set up her warp-weighted loom, the centerpiece amid the visual feast of textiles.

    The installation team did a magnificent job of arranging weavings that worked together, and enhanced each other in terms of color, size and texture. They used every inch of space to advantage. The result is exuberant.

    In this narrow area between two windows, Nancy Ellison’s shaggy rya is a stark contrast to Patty Johnson’s complex piece woven on a drawloom.

    Nancy’s seat cover was woven in rya, or pile technique, and she used unspun locks of wool in the natural colors of her Icelandic sheep for the knotted pile. The piece is thick and rough in texture. It is a stark contrast to Patty Johnson’s refined weaving below it, with smooth linen yarn and woven on a complex loom where pulleys pull up threads to create the floral pattern.

    Description of Nancy Ellison’s “Sitting Cozy
    Description of Patty Johnson’s “Traditional Flowers
    All the pieces in the show

    Variety is a hallmark of “Vibrant Tradition: Scandinavian Weaving in the Midwest.” Come to Norway House to see all the techniques and materials and colors used by members of the Scandinavian Weavers Study Group. Let us know your favorites!

    Norway House and the Scandinavian Weavers Study Group of the Weavers Guild of Minnesota present an exhibit of 49 contemporary and traditional weavings in the Scandinavian tradition

    Norway House
    913 E Franklin Ave, Minneapolis, MN 55404
    January 31 – April 6, 2025 

    Free for members of the Weavers Guild of Minnesota and Norway House; all others $5.
    See the Norway House website for the building hours of operation.

  • Phyllis Waggoner: Phyllis in an Östergötland Dräkt

    Phyllis Waggoner

    Phyllis in an Östergötland Dräkt


    NFS

    Bio: Phyllis Waggoner has a BA in Art Education and a Masters degree in Design, from the University of Minnesota. She traveled to the Southwest with faculty and students of the University of Wisconsin, River Falls, studying the culture and weaving of the Hopi and Navajo people. Additional weaving classes include: The Marshfield School of Weaving in Vermont, taught by master weaver, Norman Kennedy, The Gotland Hemslöjd, in Visby, Sweden and The Weavers School, with weaver and author Madelyn van der Hoogt. Phyllis was awarded the American Swedish Institute Lily Lorenzen scholarship for study in Sweden and in March, 1999, she attended the weaving course offered at the Comvux school for adult education in Upplands Väsby, where she focused on drawloom weaving with weaver, teacher and author Kerstin Lovallius. Phyllis has taught classes in Color and Design and Weaving for the Extension Division of the University of Minnesota; The Art Center of Minnesota; The Norwegian-American Museum in Decorah, Iowa; The American Swedish Institute (ASI); and The Weavers Guild of Minnesota. She has volunteered for over 30 years at the American Swedish Institute, working with their textile collection. She was a guest curator for three exhibitions: Dreams of Home, Swedish Woven Coverlets; Hilma Berglund, Swedish Immigrants’ Daughter; and The Fabric of Life, Textiles from the ASI Collection. Articles featuring her work have appeared in The Weavers Journal, Handwoven and New Sweden Minnesota. She is a longtime member of the Weavers Guild of Minnesota.

    Description: Early in my weaving pursuits I visited the American Swedish Institute to examine the textiles in their collection. Their Bunden Rosengång coverlets reminded me of Flamestitch embroidery, they were so colorful, I was hooked. Soon I began volunteering at the ASI, helping with cataloging, photographing, storing the textiles and assisting with exhibits. When they received a gift of the Swedish National costume, it was decided to exhibit it along with other folk costumes (Dräkter) in the ASI’s collection. It happened that I had a warp on my loom to weave figures, and so I wove Phyllis in a Swedish Costume. It has been a privilege to be a volunteer at the ASI for so many years, I’m very grateful. 

    This was the style of Swedish costume that Phyllis was emulating in her boundweave pillow.

    rpwaggoner2@gmail.com

  • Phyllis Waggoner: Self Portrait with Squares and Lucky

    Phyllis Waggoner

    Self Portrait with Squares and Lucky

    NFS

    Bio: Phyllis Waggoner has a BA in Art Education and a Masters degree in Design, from the University of Minnesota. She traveled to the Southwest with faculty and students of the University of Wisconsin, River Falls, studying the culture and weaving of the Hopi and Navajo people. Additional weaving classes include: The Marshfield School of Weaving in Vermont, taught by master weaver, Norman Kennedy, The Gotland Hemslöjd, in Visby, Sweden and The Weavers School, with weaver and author Madelyn van der Hoogt. Phyllis was awarded the American Swedish Institute Lily Lorenzen scholarship for study in Sweden and in March, 1999, she attended the weaving course offered at the Comvux school for adult education in Upplands Väsby, where she focused on draw loom weaving with weaver, teacher and author Kerstin Lovallius. Phyllis has taught classes in Color and Design and Weaving for the Extension Division of the University of Minnesota; The Art Center of Minnesota; The Norwegian-American Museum in Decorah, Iowa; The American Swedish Institute (ASI); and The Weavers Guild of Minnesota. She has volunteered for over 30 years at the American Swedish Institute, working with their textile collection. She was a guest curator for three exhibitions: Dreams of Home, Swedish Woven Coverlets; Hilma Berglund, Swedish Immigrants’ Daughter; and The Fabric of Life, Textiles from the ASI Collection. Articles featuring her work have appeared in The Weavers Journal, Handwoven and New Sweden Minnesota. She is a longtime member of the Weavers Guild of Minnesota.

    Description: Many years ago, Clotilde Barrett, author of Boundweave and original publisher of The Weavers Journal, taught a boundweave workshop for our Weavers Guild. Among the many things she covered were weave structure, drafting, and practical weaving techniques; we learned to design and weave squares, figures, and tricky patterns. Later, I set up my loom with a four shaft overshot threading and 2/2 twill tie-up and began weaving ‘figures’ – Santa Claus, angels, my husband, me, and… my cat, Lucky. Eventually Clotilde sold The Weavers Journal to Karen Searle and Sue Baizerman of St. Paul, and it was my good fortune to be a part of that staff. (Sure miss staff meetings which were fueled by milk and Oreos from Herbst grocery store downstairs.) I wrote an article about my boundweave pillows which was published in the magazine’s issue # 38.

    Phyllis with Lucky, obviously at Christmastime.
    More recently, Phyllis displayed the boundweave pillow at a meeting of our Scandinavian Weavers Study Group. (Nancy Ebner is to her left.)

    rpwaggoner2@gmail.com

  • Patty Kuebker Johnson: Shades of Red

    Patty Kuebker Johnson

    Shades of Red

    21″ x 12″

    Cotton warp and weft

    NFS

    colorcrossing.com

    Bio: Patty began her weaving journey in 1990 when she purchased a used Glimåkra loom and set up her own weaving studio. Her early projects were inspired by Mary Black’s book The Key to Weaving, and she later expanded her knowledge by attending various classes and conventions, such as those at The Weaver’s Guild of Minnesota, Vävstuga, Midwest Weavers , and Convergence®. Patty credits her progress and joy in weaving to the support and friendships of fellow weavers. Over the years, Patty has explored both simple and complex weaving structures, creating practical and decorative pieces for the home and personal attire. She finds constant inspiration in learning new techniques. Patty was a key figure in the creation of the Textile Center of Minnesota and continues to support the local fiber arts community through her involvement with the Weaver’s Guild of Minnesota, Phipps Center for the Arts, and as the owner of Color Crossing Artist Studios in Roberts, Wisconsin.

    Description: My first draw loom class was with Joanne Hall at Color Crossing, followed by a class at Vävstuga. “Shades of Red” is a study on color and changing the designs along the way. My goal was to expand my ability to design on the draw loom.

    Regarding the Scandinavian Weavers Study Group: The Scandinavian Weavers have enriched my weaving and personal life. Everyone is supportive in all ways. The members of the group help me explore various techniques I might otherwise not think about. I’m so blessed to be part of this fantastic group of weavers!

    pakj52@gmail.com

    Patty Johnson’s draw loom in her studio at Color Crossing in Roberts, Wisconsin

  • Lisa-Anne Bauch: Aegean Norwegian

    Lisa-Anne Bauch

    Aegean Norwegian

    24″ x 36″

    Linen warp, wool weft

    NFS

    Bio: Lisa-Anne Bauch is a Minnesota-based weaver whose work explores traditional Scandinavian techniques in contemporary color palettes. Her work has been exhibited throughout the Midwest and in Finland. She is an active member of the Scandinavian Weavers Group of the Weavers Guild of Minnesota and maintains the group’s blog at scandinavianweaversmn.com. As a freelance writer, Lisa has written for the Norwegian Textile Letter, PieceWork magazine, and Väv magazine (coming in 2025).

    Description: I wove this rug in Wynne Mattila’s class in krokbragd technique at the Weavers Guild of Minnesota. The colors remind me of ancient pottery.

    Regarding the Scandinavian Weavers Group: It has been wonderful to find a group of weavers who share my passion for Scandinavian weaving traditions. Along with my excellent instructors at the Weavers Guild of Minnesota, the Scandinavian Weavers have expanded my knowledge, improved my technical skills, and cheered me on me when I got discouraged. Best of all, it’s fun!

    labauch@outlook.com

  • Patty Kuebker Johnson: Traditional Flowers

    Patty Kuebker Johnson

    Traditional Flowers

    29″ x 12″

    Cotton warp and weft

    NFS

    colorcrossing.com

    Bio: Patty began her weaving journey in 1990 when she purchased a used Glimåkra loom and set up her own weaving studio. Her early projects were inspired by Mary Black’s book The Key to Weaving, and she later expanded her knowledge by attending various classes and conventions, such as those at The Weaver’s Guild of Minnesota, Vävstuga, Midwest Weavers , and Convergence®. Patty credits her progress and joy in weaving to the support and friendships of fellow weavers. Over the years, Patty has explored both simple and complex weaving structures, creating practical and decorative pieces for the home and personal attire. She finds constant inspiration in learning new techniques. Patty was a key figure in the creation of the Textile Center of Minnesota and continues to support the local fiber arts community through her involvement with the Weaver’s Guild of Minnesota, Phipps Center for the Arts, and as the owner of Color Crossing Artist Studios in Roberts, Wisconsin.

    Description: “Traditional Flowers” is a beginning draw loom project.

    Regarding the Scandinavian Weavers Study Group: The Scandinavian Weavers have enriched my weaving and personal life. Everyone is supportive in all ways. The members of the group help me explore various techniques I might otherwise not think about. I’m so blessed to be part of this fantastic group of weavers!

    colorcrossing@sbcglobal.net

    Patty’s draw loom in her studio at Color Crossing in Roberts, Wisconsin