Blog

  • New Year, New Project!

    A cold January is the perfect time to start a new weaving project! The Scandinavian Weavers’ latest group warp is a pattern called Kukkoladräll.

    The Kukkoladräll pattern was composed by Elsa Kerttu in 1926 when she was a student at Jämtslöjds Kvinnliga Slöjdskola (Women’s Craft School) in Östersund as an assignment to create a pattern in Jämtlandsdräll. It was named after Elsa’s hometown of Kukkola, a small fishing village in northern Sweden, just across the border from Finland. A lovely version of this pattern was woven by Ulrika Bos Kerttu, Elsa’s niece, in a palette she named Cloudberry. The draft for the pattern is copyrighted by Sveriges Länshemslöjdskonsulenter and provided bytextilhemslojd.se

    Image of cloudberries from Pinterest.

    The Weavers Guild of Minnesota is equipped with two Glimakra looms for classes and group projects. The Scan Weavers generously dug into their stashes for the linen warp. At least 14 of us will weave on this warp, so it is quite long.

    There’s nothing more beautiful than a plain linen warp. Note the slightly different colors that result from blending.

    Warping is always more fun with a group! (Especially with coffee breaks.) Below, Lisa Torvik explains the benefits of pre-sleying the reed to newer weavers Holly and Beth.

    Patty Johnson demonstrates how she used to warp her Glimakra all by herself – controlling the warp tension while winding on the back beam. Fortunately, Lisa is there to help.

    Lisa reminds everyone to spritz the linen warp with water to prevent breakage. (Lisa does this every time she advances the warp, which she does every three to four inches.)

    Lisa adapted the draft for towels and included four motifs across the width instead of three.

    Lisa wove two towels in different colorways. For the first, she used 16/1 linen doubled on stick shuttles for the pattern weft and 12/1 linen for the ground shots.

    For the second towel, Lisa chose to work with perle cotton for the pattern weft.

    Stay tuned for more updates on this project. I like to think that Elsa Kerttu’s original design of multiple squares was inspired by the many small fishing huts in Kukkola.

    Image of Kukkola from Pinterest
    Stock image

    If you now want to visit Kukkola as much as I do, search online for the Kukkola Tourist and Conference Board. They say the area provides natural beauty, peace, and creative inspiration. What could be better for weavers?

  • Handing on Tradition

    At the Scandinavian Weavers recent holiday gathering, our host Nancy Ebner shared a wonderful children’s book called Woven of the World, written by Katey Howes and illustrated by Dinara Mirtalipova. The author and artist spent years researching the technical, cultural, and relational aspects of weaving in order to portray them with accuracy and sensitivity. In the book, a young weaver learns from her elder as the loom sings of fabric, friendship, and families.

    One page in particular made some of us stoic Midwesterners a little misty-eyed…

    All of us are drawn to the artistry of Scandinavian weaving, both in its home countries and wherever it has traveled around the globe. Some fell in love with weaving on first sight while others inherited weaving as a family legacy.

    Veronna Capone is one such lucky weaver. Her Swedish maternal grandmother brought her weaving skills to South Dakota, where her brother built her a rug loom with hand-cut mortise and tenon joints and metal rockers for the beater. She wove rag rugs to help support her family and was such a prolific weaver that she wore those metal rockers down to slivers. (The loom is now in the permanent collection of a university museum but is rarely put on display because it is so large and heavy it requires four strong people to carry it.) Veronna’s family on her Norwegian father’s side also wove rag rugs but twined them on a frame loom instead of using a floor loom. Veronna says that these rugs, woven from literal rags, were “hard-use back-door rugs!”

    For her part, Veronna loves the challenge of learning weaving techniques: “I have gone to many classes, workshops near and distant, textile tours, [conferences], and was amazed at the technical skills, and problem solving shown by weavers. I’ve been lucky to have classes with great instructors back east and out here [in South Dakota]. Learning different structures that can be used for other designs has been helpful. Scandinavian weaves are fascinating. As with all simple things it can become very complicated. This has been going on for 40+ years and I still have lots to learn.”

    “Early last spring I started to feel it was time to part with my Glimakra loom,” Veronna writes. “And within a week or two I saw the note from Nancy Ebner that she was looking for one to buy.” Several Scan Weavers gathered to install the loom in its new home.

    Like a giant Tinker Toy set, Veronna’s Glimakra arrives in its new home, carefully wrapped in an old quilt.

    Nancy and Judy consult the diagram.

    Veronna approves of the sunny space!

    A handy frameworks holds the lamms in place for tie-up.

    Tying up the lamms.

    Handing on the hammer!

    The loom in its new home!

    By sharing our love and knowledge of weaving, Scandinaivan Weavers are part of a global community that spans generations, In the coming weeks, look for updates on our latest group projects, exhibits, collaborations, and resources. Happy New Year and Happy Weaving!

    When we’re not weaving, we’re talking about weaving.

  • “Domestic to Decorative”: Krokbragd Demonstration

    Thanks to Beth Detlie, who demonstrated at Red Wing Arts as part of the Scandinavian Weavers exhibit “Domestic to Decorative: The Evolution of Nordic Weaving.” The exhibit is open through December 24 at the historic train depot gallery in beautiful Red Wing, Minnesota.

    Photo by Heather Laurenz

    Beth wove a classic three-shed krokbragd technique using a rigid heddle loom.

    Photo by Beth Detlie

    A close-up of Beth’s beautiful weaving. She is working with Holst Garn fingering-weight wool from Denmark, which she purchased at The Yarnery in St. Paul, Minnesota.

    Photo by Heather Laurenz

    Beth explains the finer points of her weaving to guests in the Red Wing Arts gallery. In the background are Lisa Torvik’s transparency weavings, based on a motif in a woven coverlet from the Sogn region of Norway. Lisa will demonstrate transparency weaving on Saturday, December 9 from 1:00 to 3:00 PM. Please join us!

  • “Domestic to Decorative”: Warp-Weighted Loom Demo

    Thanks to Melba Granlund and Peg Hansen who demonstrated weaving on a traditional Scandinavian warp-weighted loom at Red Wing Arts on November 18, as part of the Scandinavian Weavers exhibit “Domestic to Decorative: The Evolution of Nordic Weaving.” Visitors were fascinated by this ancient weaving technique, and Melba and Peg looked their finest in their Viking garb!

    Melba Granlund explains the history of the warp-weighted loom to visitors (dogs included). Melba teaches classes in warp-weighted weaving at the Weavers Guild of Minnesota, North House Folk School, Shepherds Harvest, and other venues.

    Red Wing Arts is the perfect space for weaving on a warp-weighted loom: Plenty of room and lots of sunlight!

    The big loom always draws a crowd!

    Peg Hansen demonstrates rya weaving on the small warp-weighted loom she built in Melba’s class at North House Folk School. (Notice the deer antlers.)

    Any weaver who has used a warp-weighted loom will tell you the slowest part of the process is tying on the loom weights.

    Yes, still tying on rocks!

    Our beautiful Viking maidens!

    For close-up photos of Peg’s handmade loom and the saga that inspired it, visit Robbie LaFleur’s blog post here

  • Gala Reception for “Domestic to Decorative”

    Thanks to everyone who joined us at the opening reception for Scandinavian Weavers’ new exhibit “Domestic to Decorative: The Evolution of Nordic Weaving.” The exhibit is on view at the Red Wing Arts gallery through December 24. (Please see the Red Wing Arts website for hours.)

    Scan Weavers present at the reception. Back row: Edi Thorstensson, Peg Hanssen, Melba Granlund, Kala Exworthy, Mary Skoy, Lisa Torvik. Front row: Nancy Ellison, Nancy Pedigo, Jan Mostrom, Lisa-Anne Bauch, Barb Yarusso.

    Scan Weaver Kevin Olsen and his Norwegian tapestry Nativity.

    Special thanks to Edi Thorstensson and Nancy Ellison, who demonstrated weaving techniques.

    Edi and Nancy compare weaving techniques. Edi wove a band using a hand-carved heddle, while Nancy wove rya on a Norwegian cradle loom.

    Tremendous thanks to Red Wing Arts Program Director Heather Lorenz and Gallery Manager Shawn Niebeling, who championed this exhibit and made the entire experience a joy.

    Scan Weavers member Peg Hansen, who regularly volunteers at Red Wing Arts, provided hospitality in her Norwegian bunad.

    Members of the Zumbro River fiber arts guild watch closely while Nancy demonstrates rya weaving on her hand-painted cradle loom.

    Lisa Torvik shows Mary Skoy the antique coverlet from the Sogn region that inspired her transparencies.

    Scan Weavers Barb Yarusso, Mary Skoy, and Edi Thorstensson generously lent the heirloom textiles that inspired their weaving. Jane Connett’s colorful weavings are in the background.

    Peg Hansen and her daughters Bitsy Joy and Rachel Hansen Morris collaborated on Tidligere Kvinner.

    Kala Exworthy takes a moment to enjoy the Red Wing Arts shop. (Highly recommended!)

  • Now Open: “Domestic to Decorative”

    The Scandinavian Weavers’ new exhibit “Domestic to Decorative: The Evolution of Nordic Weaving” is now open at Red Wing Arts in Red Wing, Minnesota. The exhibit is free and open to the public during regular hours at Red Wing Arts. (Thursday through Monday 12:00 to 5:00 PM / Saturday 9:00 AM to 5:00 PM/ Tuesday and Wednesday by appointment)

    Please join us for a free Opening Reception on Saturday, November 4 from 2:00 to 4:00 PM. In keeping with tradition, Scan Weavers are baking seven different kinds of cookies for the event.

    Also on November 4, Edi Thorstensson will demonstrate band-weaving on a hand-carved Swedish heddle from 10:00 to 11:30 AM. Nancy Ellison will demonstrate rigid heddle weaving from 1:00 to 3:00 PM. Additional demonstrations will be held November 18 (warp-weighted loom), November 25 (krokbragd on a rigid heddle), and December 9 (transparency weaving). Watch this space for further details.

    Special thanks to Shawn Niebling at Red Wing Arts for shepherding this exhibit from concept to installation!

    Visit Red Wing Arts in the historic train depot at 418 Levee Street in Red Wing, near the riverfront. (Yes, you can travel by Amtrak train to the depot.)

    During the installation process, Peg Hansen carefully combs the fringe on Jan Mostrom’s beautiful weaving.
    Shawn Niebling expertly checking levels on Lisa Torvik’s transparency.
    Nancy Ellison’s rya weavings feature fleece from her flock of Icelandic sheep. (Photo by Peg Hansen)
  • Save the Date!

    Scandinavian Weavers NEW exhibit “Domestic to Decorative: The Evolution of Nordic Weaving” opens October 27 in the historic Depot Gallery in beautiful Red Wing, Minnesota! Many thanks to the wonderful staff at Red Wing Arts!

  • Swedish Loom Restoration at Gammelgarden

    Välkommen Hus at Gammelgarden (Photo by Brian Voss)

    Scandia, Minnesota is the site of the first Swedish settlement in Minnesota. Gammelgarden Museum in Scandia helps preserve this history through its programs, exhibits, and five historic buildings while celebrating the stories of all immigrants and their communities.

    On the second floor of the Välkommen Hus (shown above), there is an old floor loom. The loom was made in Sweden by a father with the intention that it would go to America with his daughter and her husband who would leave shortly after their wedding. The year 1879 is painted on the loom.

    The daughter and her family used the loom in northern Minnesota until 1962 when it was sold at auction to Myrabelle Lange Sommerfeld. Myrabelle used the loom for rug weaving until early 1999. Everyone she knew had one of her rugs! In 2003, the loom was generously donated to Gammelgarden by Myrabelle’s daughter, April Sommerfeld Corgärd.

    While the loom has been admired by countless visitors, it needed some minor repairs to be functional again. The Gammelgarden staff put an ad in the classified section of the Weavers Guild of Minnesota website, asking for assistance.

    Ad on Weavers Guild website showing loom before restoration

    Judy Larson, a member of the Scandinavian Weavers, happily volunteered. “It was an opportunity to see an old Swedish loom and visit Gammelgarden,” she explains. “The counterbalance loom is dated 1879 and was carved by a father for his daughter who was leaving for America. The side supports have some lovely wood carvings. As the loom was used by generations of weavers, there were changes made. A worm gear was added in place of the back brake. The string heddles were changed to metal heddles, and the shafts and treadles were held with nylon cords secured by wires, instead of knots. The front brake was still original and is exactly like the one on my great grandmother’s Swedish loom.”

    Judy got to work restoring the loom: “I reset the worm gear rotation wheel to engage correctly, and then got the treadle cords and heddle cords to pull evenly and adjusted the reed height to get a better shed. The loom was now functional, and weaving could happen.”

    Old Swedish loom at Gammelgarden after restoration

    Judy returned two weeks later with fabric weft prepared and started weaving a blue gingham placemat: “I showed three volunteers how to weave on the loom, and even got some visitors to try throwing the shuttle across. The video was made, and a short description of weaving terms is posted by the loom. There is a QR code for visitors to access the video and see the 144-year-old loom in action.” Judy donated more weft fabric so weaving can continue.

    Judy Larson demonstrating weaving on the old Swedish loom at Gammelgarden.
    A volunteer weaves while Judy and visitors look on

    Judy also restored an old tape loom at Gammelgarden so it is now functional. Thanks to her generosity and expertise, visitors to Gammelgarden can try their hand at weaving, which played such an important role in the daily lives of Swedish immigrants.

    Tape loom before restoration
    Restored tape loom in action. The band is about the width of a shoelace.

    Less than an hour from the Twin Cities, Gammelgarden is well worth a visit! Be sure to try out the loom while you are there. To learn more, visit their website at gammelgarden.org (link below)

  • Telemarksteppe Project

    Weaving by Robbie LaFleur

    The Scandinavian Weavers’ latest group project was weaving in Telemarksteppe, organized by Lisa Torvik. Lisa was inspired by Laura Demuth’s table runner in a 2013 issue of Handwoven magazine. Laura wrote:

    Telemarksteppe is a technique that originates from Telemark, a county located along the southeastern coast of Norway. Using six shafts and five treadles, Telemarksteppe is a three-block weave woven on a tabby ground. This three-block structure allows for more design elements than the two blocks found in monk’s belt. Another aspect of Telemarksteppe that I find especially charming is the inclusion of weft loops along the selvedges. The loops also make frequent pattern-weft color changes easy. A color that is not used for several picks does not have to be cut because its end may be woven into the selvedge and reintroduced by making a loop at the selvedge that blends in with the other weft loops.”

    This was our first group project in the new home of the Weavers Guild of Minnesota, the Open Book building in Minneapolis. It was a joy to work in this bright space and also have the opportunity to demonstrate weaving Telemarksteppe to visiting students, guests, and Guild members.

    Scan Weavers members used a variety of weft threads in wool, linen, or cotton. The first group of weavers had so much fun that we put a second warp on the loom. Stay tuned for more pictures as their projects are finished!

    Telemarksteppe runners fresh off the loom!
    Lisa-Anne Bauch
    Beth Detlie
    Nancy Ebner
    Kala Exworthy
    Brenda Gauvin-Chadwick
    Melba Granlund
    Jan Johnson
    Robbie LaFleur
    Judy Larson
    Cathie Mayr
    Shari Nelson
    Mary Skoy
    Paige Tighe
    Lisa Torvik
    Lisa Torvik
  • “Scandinavian Showcase” at Weavers Guild of Minnesota

    Pillow by Jan Mostrom featuring Swedish art weaves

    On Tuesday, June 27, the Scandinavian Weavers Interest Group hosted an open house at the Weavers Guild of Minnesota. Guests viewed samples of work by Scan Weavers, enjoyed refreshments, and watched weaving demonstrations by Lisa T as well as students in the Weaving with History workshop. (See previous post.)

    Judy setting out her pepparkakor. (Tin is for transport only – those cookies were home-baked!)

    Bri helping in the Guild’s fabulous new kitchen!

    No party is complete without Marimekko!

    Lisa T explaining Telemarksteppe to guests.

    Sharon demonstrating Munkabälte (Monksbelt).

    Peg and Melba reminiscing about recent travels to Norway. Melba is warping repp weave.

    Mary admiring Finnväv (reversed) by designer Maija Kolsi-Mäkelä. Scan Weavers member Mandy Pedigo researched Kolsi-Mäkelä’ ‘s work during her MFA program and owns several of her designs, which she brought to the open house. (See Mandy’s blog at http://www.mandypedigo.com/maijakolsimakela for more info.)

    Rag rugs by Judy Larson (left) and Robbie LaFleur (right). (Robbie wove her rug in a class at Sätergläntan. See her blog for details.) Above left is a krokbragd weaving by Lisa-Anne Bauch. Above right is a band weaving by Jane Connett.

    Smalandsväv by Nancy Ebner. The design is by Becky Ashenden at Vävstuga.

    Tapestry by Jane Connett.

    Swedish art weaves pillow by Jan Mostrom.

    Twill blanket in wool woven by Peg Hansen in Norway.

    Rosepath pillow by Sharon Marquardt.

    More samples in a variety of weave structures.

    Scan Weavers meetings are held monthly September through May. Contact Robbie LaFleur at lafleur1801@me.com to join the fun!