
Edi Thorstensson
Pillow with Swedish Art Weaves
18″ x 18″
Warp 20/3 linen, weft wool tapestry yarn
NFS
Bio: Edi Thorstensson has been weaving since 1963, when she enrolled in a summer class in beginning weaving at the Chicago Art Institute. The class was taught by Lurene Stone and occasionally visited by Elsa Regensteiner, who was head of the Weaving Department at the Art Institute and a noted author and textile designer. Being a student in the Art Institute School at the time placed Thorstensson in a social context very different from the Chicago suburb, La Grange, in which she had grown up and the college, St.Olaf, where she had just completed her first year. Her classmates were public school art teachers, aspiring textile designers, artist activists, students of all ages, with diverse economic backgrounds, racial identities, and life experiences and goals. The Civil Rights movement was gaining momentum, and it influenced students’ relationships to each other both inside and outside the classroom. For Thorstensson, the summer weeks of 1963 at the Chicago Art Institute, was an introduction to weaving much more than cloth. Thorstensson has continued her textile studies at Mora Folkhögskola and Skånska Hemslöjd in Sweden, in Tromsø and other settings in Norway, and, in the US, Sievers School of Fiber Arts, the Weavers Guild of Minnesota, North House Folk School, and Vesterheim Norwegian American Museum. She has taught weaving classes at Gustavus Adolphus College and the Arts Center of St. Peter. She is a retired librarian and college archivist who lives in St. Peter, Minnesota.
Description: Following a Vesterheim Textile Study Tour to Denmark and Norway in the summer of 2017, a number of tour participants and I traveled from Copenhagen to Landskrona, Sweden, to study Swedish art weaves with Gunvor Johansson at Skånska Hemslöjd’s headquarters. This was made possible by Scandinavian Weaver Melba Granlund, who arranged for a class for our group that would be taught in English. My piece is entirely inspired by Gunvor’s examples and her encouragement. It was woven on a pre-warped loom with a 50/10 reed, dressed with 20/3 linen warp. Weft was Swedish wool yarns, including Klippans Fårö, and Norwegian Rauma prydvevgarn one- and two-ply. I chose to mount my piece on commercial black wool fabric and embellish it with a cotton inkle-woven band and minimal hand stitching. I used a manufactured pillow case and filler to complete the piece.
Regarding the Scandinavian Weavers Group: The study group has been a wonderful enhancement and continuation of the Norwegian Textile focus group and publications. It is always good to connect!
ejthor44@gmail.com











