Handing on Tradition

At the Scandinavian Weavers recent holiday gathering, our host Nancy Ebner shared a wonderful children’s book called Woven of the World, written by Katey Howes and illustrated by Dinara Mirtalipova. The author and artist spent years researching the technical, cultural, and relational aspects of weaving in order to portray them with accuracy and sensitivity. In the book, a young weaver learns from her elder as the loom sings of fabric, friendship, and families.

One page in particular made some of us stoic Midwesterners a little misty-eyed…

All of us are drawn to the artistry of Scandinavian weaving, both in its home countries and wherever it has traveled around the globe. Some fell in love with weaving on first sight while others inherited weaving as a family legacy.

Veronna Capone is one such lucky weaver. Her Swedish maternal grandmother brought her weaving skills to South Dakota, where her brother built her a rug loom with hand-cut mortise and tenon joints and metal rockers for the beater. She wove rag rugs to help support her family and was such a prolific weaver that she wore those metal rockers down to slivers. (The loom is now in the permanent collection of a university museum but is rarely put on display because it is so large and heavy it requires four strong people to carry it.) Veronna’s family on her Norwegian father’s side also wove rag rugs but twined them on a frame loom instead of using a floor loom. Veronna says that these rugs, woven from literal rags, were “hard-use back-door rugs!”

For her part, Veronna loves the challenge of learning weaving techniques: “I have gone to many classes, workshops near and distant, textile tours, [conferences], and was amazed at the technical skills, and problem solving shown by weavers. I’ve been lucky to have classes with great instructors back east and out here [in South Dakota]. Learning different structures that can be used for other designs has been helpful. Scandinavian weaves are fascinating. As with all simple things it can become very complicated. This has been going on for 40+ years and I still have lots to learn.”

“Early last spring I started to feel it was time to part with my Glimakra loom,” Veronna writes. “And within a week or two I saw the note from Nancy Ebner that she was looking for one to buy.” Several Scan Weavers gathered to install the loom in its new home.

Like a giant Tinker Toy set, Veronna’s Glimakra arrives in its new home, carefully wrapped in an old quilt.

Nancy and Judy consult the diagram.

Veronna approves of the sunny space!

A handy frameworks holds the lamms in place for tie-up.

Tying up the lamms.

Handing on the hammer!

The loom in its new home!

By sharing our love and knowledge of weaving, Scandinaivan Weavers are part of a global community that spans generations, In the coming weeks, look for updates on our latest group projects, exhibits, collaborations, and resources. Happy New Year and Happy Weaving!

When we’re not weaving, we’re talking about weaving.

Telemarksteppe Project

Weaving by Robbie LaFleur

The Scandinavian Weavers’ latest group project was weaving in Telemarksteppe, organized by Lisa Torvik. Lisa was inspired by Laura Demuth’s table runner in a 2013 issue of Handwoven magazine. Laura wrote:

Telemarksteppe is a technique that originates from Telemark, a county located along the southeastern coast of Norway. Using six shafts and five treadles, Telemarksteppe is a three-block weave woven on a tabby ground. This three-block structure allows for more design elements than the two blocks found in monk’s belt. Another aspect of Telemarksteppe that I find especially charming is the inclusion of weft loops along the selvedges. The loops also make frequent pattern-weft color changes easy. A color that is not used for several picks does not have to be cut because its end may be woven into the selvedge and reintroduced by making a loop at the selvedge that blends in with the other weft loops.”

This was our first group project in the new home of the Weavers Guild of Minnesota, the Open Book building in Minneapolis. It was a joy to work in this bright space and also have the opportunity to demonstrate weaving Telemarksteppe to visiting students, guests, and Guild members.

Scan Weavers members used a variety of weft threads in wool, linen, or cotton. The first group of weavers had so much fun that we put a second warp on the loom. Stay tuned for more pictures as their projects are finished!

Telemarksteppe runners fresh off the loom!
Lisa-Anne Bauch
Beth Detlie
Nancy Ebner
Kala Exworthy
Brenda Gauvin-Chadwick
Melba Granlund
Jan Johnson
Robbie LaFleur
Judy Larson
Cathie Mayr
Shari Nelson
Mary Skoy
Paige Tighe
Lisa Torvik
Lisa Torvik