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  • Sharon Moe Marquardt: Norwegian West-Coast Style Coverlet

    Sharon Moe Marquardt

    Norwegian West-Coast Style Coverlet

    13-½” x 30″
    Linen warp, wool weft
    NFS

    Bio: Sharon Moe Marquardt has been weaving since the mid-1980s. Inspired by her sister’s summer/winter cow runner, she studied rigid heddle one and two-heddle loom techniques from the Prairie Wool Companion, edited and authored by David and Alexis Xenakis. She used her notes to teach rigid heddle classes at the Weaving Works and Experimental College in Seattle. Moving to her home state of Minnesota, she taught these classes at several weaving conferences. At one conference, she discovered Syvilla Tweed Bolson’s vendor table and later signed up for her boundweave class in Decorah, Iowa. These lessons led to a life-long pursuit of learning Scandinavian techniques. She has studied at Vesterheim Norwegian-American Museum, in Norway, and at the Hemslöjden in Landskrona, Skåne, Sweden.

    Description: At Vesterheim I learned the decorative West Coast weaves from Marta Kløve Juuhl, who has explored almost-forgotten weaves from Norway, Iceland and the Shetlands. She is the main curator at the husflid in Osterøy, west of Bergen. I wove the smaller colorful hanging based on her lessons. Heidi Goldberg, art professor at Concordia College, Moorhead, Minnesota, asked me to assist with the weaving section in her traditional Nordic Arts classes. I taught the West Coast weaves first on backstrap looms and then on small warp-weighted looms that my husband had made based on the loom I had purchased at the Sami Husflid (handcraft store).

    Read more about the loom that Sharon developed in this Norwegian Textile Letter article: “Developing a Loom to Teach Scandinavian Weaving,” and about her creative use of rya for creating an image in Sharon Marquardt: Using Traditional Voss Rye Technique–to Depict Show Shoveling?, August 2020.

    Regarding the Scandinavian Weavers Group: The Scandinavian study group has been my main support for decades. I live in a small rural area where hardly anybody weaves. I’ve traveled to meetings, but with Zoom now available I can attend most of them. Mange takk to this group!

    shmarquardt@gmail.com


  • Cathie Eggan Mayr: Norwegian Spring

    Cathie Eggan Mayr

    Norwegian Spring

    31” x 16-½”
    10/2 Perle Cotton – Warp & weft tie-down; 5/2 Perle Cotton – Pattern Weft

    twotabby.com

    Bio: Inspired by a weaving exhibit at the American Swedish Institute in 1999, Cathie Mayr learned to weave at Sievers School of Fiber Arts on Washington Island, Wisconsin. It was the beginning of a life-long passion for the fine craft. She learned that her mother had done some weaving in college, but also was surprised when she discovered several ancestors on both her maternal and paternal sides were accomplished weavers. Throughout her 25-year weaving journey, Mayr learned from numerous experts and mentors across the country and in Norway. She began teaching in Central Minnesota in 2023. Mayr’s “home” Guild has always been the Weavers Guild of MN.

    Description: Norwegian Spring was inspired by a springtime visit to meet relatives in Meldal, Norway (near Trondheim) for Syttende Mai. As it turns out, most of the town of Meldal are my third cousins – and many are weavers! Spring is such a joyous time in Norway – the sun is warming and flowers are blooming in every color imaginable. I knew I’d have to capture the beauty and joy in a woven piece. Color has always defined much of my long weaving career. I’m endlessly fascinated with the interplay of color as threads intersect in various ways in woven pieces. I’ve woven scarves, blankets, rugs, towels, table runners, and much more, in nearly every type of fiber. But in the end, it’s the color that drives my design process. This piece was no different. It was pure joy to play with the color gradients to represent the four flowers in this piece. The background warp (vertical) threads are a gradient of 6 blues ranging from dark to light. This represents the still chilly / frosty skies to warming days of deepening blue skies. From the top, the four flowers represented are:
    1. Bergfrue (Pyramidal Saxifrage) known as “White Mountain Queen.” This beauty has five long white petals with increasingly dense splotches of deep magenta at the center (pistal). It was selected as Norway’s National Flower at the 1935 Botanical Congress in Amsterdam. Heather is now the National Flower since it is found across a wider range of the country.
    2. Yellow Coltsfoot (Tussilago Farfara – Daisy family) is a perennial wildflower. I love that it comes in the very early spring fairly shouting in bright yellow! It is often referred to as “Son Before Father” because the flowers come before the leaves.
    3. Red Clover (Trifolium Pratense) is seen across many of Norway’s fields and pastures. This versatile green manure crop not only adds organic nitrogen to the soil but also provides flowers that can be harvested for tea. It is often used for menopause symptoms and osteoporosis.
    4. Lupine (Lupinus) comes from lupus, Latin for “wolf”, and its related adjective lupinus, “wolfish.” Lupine fields have a highly organized social structure, with clearly distinguished leaders and followers. Although dangerous to livestock, lupines improve soil by adding nitrogen and loosening compacted earth with their strong root systems.

    catmayr@yahoo.com

  • Jane Connett: Bunad Belt

  • Vibrant Traditions: Scandinavian Weaving in the Midwest

    Meet the artists of the Vibrant Tradition exhibit! The title of each piece is linked to a page giving details on the artist and her work.

    Lisa-Anne BauchNorthern Lights 
    Lisa-Anne BauchAegean Norwegian
    Veronna CaponeMonk’s Belt Runner
    Veronna CaponeRed vs Black
    Jane ConnettBunad Belt 
    Jane ConnettKrokbragd Belt 
    Jane ConnettCrow
    Beth DetlieTelemark Heritage
    Beth DetlieHøstfarger
    Nancy EbnerThe Two Sides of Beauty
    Nancy EbnerDivine Connection
    Brenda Gauvin-ChadwickJoy Exploding
    Brenda Gauvin-ChadwickBergen Blue 
    Peg HansenBeltestakk Hårbånd
    Peg HansenBergen Blanket
    Nancy EllisonPastors in a Row (The Sheep Pasture)
    Nancy EllisonSitting Cozy
    Mary EricksonPoppies
    Mary EricksonThink About It 
    Kala ExworthyTowels in the Color of Norwegian Rosemaling 
    Melba GranlundNorwegian Coverlet
    Holly HildebrandtBelt of Venus
    Holly HildebrandtCloudberries
    Karen A. HolmesHappy Wedding Day 
    Patty JohnsonTraditional Flowers
    Patty JohnsonShades of Red 
    Robbie LaFleurNest (Golden-Winged Warblers are Happy in their Minnesota Habitat)
    Robbie LaFleurMargaret, the Medieval Queen
    Judy LarsonNicross (Nine Cross)
    Judy LarsonRölakan Ripples
    Kelly MarshallWise Virgin
    Cathie MayrNorwegian Spring
    Sharon Moe MarquardtTraditional Sami Grene
    Sharon Moe MarquardtNorwegian West-Coast Style Coverlet
    Marilyn MooreMaiden, Mother and Crone
    Jan MostromSummer
    Jan MostromIndigo Night 
    Lila NelsonTerrorist Cat
    Shari Werdal NelsonJourney
    Kevin L. OlsenThe Wedding Anniversary
    Mandy PedigoMeander
    Mary SkoyA Modern Danskebrogd Sampler 
    Edi ThorstenssonTurned Krokbragd Inkle Band
    Edi ThorstenssonPillow with Swedish Art Weaves
    Lisa TorvikHordaland Teppe/Coverlet
    Lisa TorvikHordaland 3rd Generation
    Phyllis WaggonerRya Rag Rug 
    Phyllis WaggonerSelf Portrait with Squares and Lucky
    Phyllis WaggonerPhyllis in an Östergötland Dräkt

  • Lila Nelson: Terrorist Cat

    Lila Nelson (Date uncertain, 2008?)

    Terrorist Cat

    Cotton warp; wool weft
    NFS

    Bio: Lila Nelson, who died in 2015 at age 93, was the Registrar and Curator of Textiles at the Vesterheim Norwegian American Museum for 27 years, and the beloved leader of the Scandinavian Weavers Group for many years. She was a mentor to many of the weavers whose works are in the Vibrant Traditions show. No retrospective of American weaving in the Norwegian tradition would be complete without her work.

    Description (by Robbie LaFleur): Lila wove many tapestries that displayed her progressive politics, including more than one terrorist cat. Lila said her terrorist cats, children and a bear were her attempt to treat terrorist threats with the satire that they deserved. Lila said that when she wove the Terrorist Cat tapestry in the exhibition, she wanted to depict an Uzi, but she had never seen one. I think that we have all seen so many images of guns, that we know what they look like without even realizing it.

    You can read many articles about and by Lila Nelson in the Norwegian Textile Letter:
    Lila Nelson Celebration: Robbie LaFleur
    Lila Nelson and her Tapestry Barter System
    Lila Nelson’s Celebration: Laurann Gilbertson
    Lila Nelson’s Celebration: Carol Colburn and Norwegian Friends
    Lila Nelson’s Celebration: Lisa Torvik and Neil Mikesell
    Lila Nelson Celebration: Claire Selkurt
    Lila Nelson Celebration: Wendy Stevens
    Lila Nelson Celebration: Mary Skoy
    From the Norwegian Breakfast Club to the Norwegian Textile Guild – a Brief History
    On the Occasion of Lila Nelson’s 90th Birthday
    RETRO REPRINT: The Ruteaklaer Tradition in Norway
    A Forgotten Artist Remembered: The Tapestry Weaving of Pauline Fjelde

    In searching my own blog, Lila comes up about two dozen times. She is my most important weaving mentor, so that is only appropriate! These are the posts that focus on her work exclusively.
    Lila Nelson: Guessing at her Design Process (September 2020)
    Oh Lila, You Wove So Many Cat Tapestries (September 2020)
    Are These Tapestry Eaglets? (September 2020)
    The Tapestries of Lila Nelson: Poetry, Myth, and Protest (December 2015)
    In Case You Ever Thought Lila Nelson Was Repressed (October 2010)

    Obituary: Lila Nelson, educator and artist of Norwegian textiles, dies at 93. Star Tribune, June 1-2015
    Webinar: How Lila Nelson’s Tapestries Embraced the World and Its Politics. 2020

  • Happy New Year from the Scan Weavers!

    In Sweden, the days between Christmas and New Year are known as mellandagarna, or “in-between days.” With the bustle of holiday preparations over, it’s the perfect time to get together with friends. In our case, we enjoyed a cozy “UFO” gathering. (“UFO” stands for “Unfinished Object.”) Everyone brought projects that needed finishing, including weaving, knitting, embroidery, and felting, along with leftover holiday treats.

    It’s much easier to put those last few stitches in when you’re chatting and laughing with friends! Here Beth works on finishing her Repp weave wall hanging while Robbie converts her tapestry into a pillow.

    Photo by Nancy Ebner

    “This was the second tapestry I ever wove,” explains Robbie, “at Valdres Husflidsskole in Norway. The design is two abstracted blossoms. It was never great as a wall piece, so I am now attaching hand-made wool fringe and it will become a pillow.”

    Photo by Robbie LaFleur

    Mary finished an adorable pair of booties for a newborn family member!

    Photo by Mary Skoy

    Kits to make these fuzzy booties are available from Joe’s Toes in the UK.

    Photo by Mary Skoy

    During the Scandinavian Weavers upcoming exhibit “Vibrant Tradition” at Norway House in Minneapolis, we will host Family Weaving Days with weaving activities for all ages. (Follow this blog for dates and times.) Here, Holly practices one of the activities, weaving simple coasters on a frame loom.

    Photo by Nancy Ebner

    The finished result! Holly says, “I think it looks like trees on the shore of a frozen lake with some snowmobile tracks running across.”

    Photo by Holly Hildebrandt

    The gathering was also an opportunity to share tips and techniques. New member Amy learned how to twist coordinating cordage to adorn her twill weave pillow.

    Photo by Amy Grimm

    Phyllis finished a knitted scarf while Kelly felted colorful designs on wool dryer balls. (Wool for felting in the foreground.)

    Photo by Nancy Ebner

    The Scandinavian Weavers have many exciting projects lined up for 2025, including the “Vibrant Tradition” exhibit at Norway House (January 31–April 6) and weaving demonstrations at Gammelgården (May 3). On the loom, we will tackle skillbragd as well as draw loom techniques. Stay tuned for all the details.

    We extend our heartfelt thanks to all blog followers and hope you will continue to find both information and inspiration in the coming year!

    Detail of a rag rug woven by Karin Larsson from “Karin Larsson: Let the Hand be Seen” at the American Swedish Institute.

  • Vibrant Traditions: Scandinavian Weaving in the Midwest

    Norway House and the Scandinavian Weavers Study Group of the Weavers Guild of Minnesota present an exhibit of 49 contemporary and traditional weavings in the Scandinavian tradition

    Vibrant Traditions:
    Scandinavian Weaving
    in the Midwest 

    Norway House
    913 E Franklin Ave, Minneapolis, MN 55404
    January 31 – April 6, 2025 

    Free for members of the Weavers Guild of Minnesota and Norway House; all others $5.
    See the Norway House website for the building hours of operation.

    This exhibit of traditional and contemporary weavings in Scandinavian techniques will take place in the Mondale Galleri at Norway House. The Scandinavian Weavers Study Group is celebrating almost three decades of collaboration and friendship that has included exhibitions, study group topics, and sharing of expertise. This resulted in a strong community with a shared interest in traditional Scandinavian weaving techniques and commitment to keeping our craft alive — and vibrant. The exhibit will be accompanied by weaving demonstrations and special events. Check this blog in the coming months for details. 


    Exhibit Celebration: Friday, February 7, 2025 , 5-8pm. ($5 for members of the Weavers Guild of Minnesota and Norway House; all others, $10.

    Images: Top: “Wedding Tapestry,” Kevin Olsen. Botom: “Hordaland Teppe,” Lisa Torvik.

  • “Viking Twill” Towel-Weaving Fundraiser

    “Viking Twill” Towel-Weaving Fundraiser

    Weavers from left: Lisa Torvik, Nancy Ebner, Lisa-Anne Bauch, Brenda Gauvin-Chadwick, Beth Detlie, and Robbie LaFleur

    Last summer, the Weavers Guild of Minnesota and the American Swedish Institute collaborated on a weaving workshop with faculty from the acclaimed Sätergläntan Institute for Craft and Handwork in Sweden. (See previous blog posts for details. ) The Guild’s Education Manager Betsy Konop asked the Scandinavian Weavers Group if we would be interested in weaving towels with leftover yarn from the workshop to sell in the Guild shop to support our educational programs.

    We chose the “Viking Twill” draft by Gunnel Oresjo, first published in the 2009 September/October issue of Handwoven. The editorial team at Handwoven gave us their kind permission to use the draft for fundraising purposes. (Search the Handwoven website for the draft.)

    The warp was wound with bright primary colors, similar to what would have been available from natural dyes in Scandinavia in Viking times. The original draft is for a simple 2/2 broken twill, but Weavers Guild instructor Donna Hanson generously created many more variations in PixeLoom for us to try. (Donna’s towel-weaving classes are perennial favorites at the Guild.)

    Viking Twill warp on the loom

    The warp uses Bockens 16/2 cotton, and each weaver brought in weft yarn from their stash, including cotton, linen, and blends. It was inspiring to see how many variations were created using the different colors, patterns, and textures.

    Close-up of twill towels

    Some of the towels have a crowning touch—Swedish-style handing bands using the same Bockens yarn. These were woven by the Weavers Guild band-weaving interest group, affectionately known as the Banditos.

    Close-up of tablet-woven and Kumihimo bands.

    Fifteen weavers wove towels, and Beth Detlie heroically kept all of us scheduled and organized. Mary Skoy generously washed and hemmed all the towels.

    Weavers Guild Education Director Betsy Konop and Scan Weaver (and heroic hemmer) Mary Skoy

    The towels are currently available for sale in the Weavers Guild shop. Meanwhile, a second warp has already been wound and will soon be on the loom.

    The second Viking Twill warp

    Many thanks to our first batch of weavers! Judy Larson, Nancy Ebner, Robbie LaFleur, Auden O’Connell, Jan Johnson, Mary Skoy, Beth Detlie, Lisa Torvik, Brenda Gavin Chadwick, Karen Holmes, Lisa-Anne Bauch, Peg Hanson, along with guild staff Betsy Konop (Education Manager) and Jasmyn Hinton (Retail & Administrative Associate.) Special thanks to Hopsy for helping to warp the loom!

    Hopsy, official Guild Dog!

  • Magical Weaving on the Shores of the Big Lake

    Magical Weaving on the Shores of the Big Lake

    Today’s blog entry is written and photographed by Scandinavian Weavers member Holly Hildebrandt.

    I got home late last night after the most incredible five days in Grand Marais, taking Melba Granlund’s class at North House Folk School! We built our own warp weighted loom the first two days, then wove on it the next three. It’s the most fun I’ve had in a long time and it was wonderful spending time with Melba.

    Melba and Holly

    David Susag was our woodworking instructor. He also has a major affinity for Scandinavian tradition and is most known for springpole woodwork.

    Students with woodworking instructor David Susag

    Between the lake, smoked fish, mountain of wool yarn, and smell of pine as we chiseled, it was so magical. I am sad that it’s over but so grateful for the memories we created. Big thanks to Melba for sharing her wealth of knowledge with our little group! 

    Warp strings weighted with rocks
    Close-up of Holly’s weaving
    Lake Superior shore in Grand Marais, Minnesota
    Sunset over the Big Lake

  • ASI Update: “Cocktails at the Castle”

    ASI Update: “Cocktails at the Castle”

    Both Scandinavian Weavers and Rag Rug Weavers have been busy this summer volunteering at the American Swedish Institute during the run of “Karin Larsson: Let the Hand Be Seen.” (See previous blog posts for details.) It’s been an amazing opportunity to demonstrate weaving to museum guests, who have been an enthusiastic and curious audience.

    Many older guests have shared fond memories of cutting up old clothing and textiles into strips, then sorting them into piles by color, winding them into balls, and delivering them to the local “Rug Lady,” who wove the strips into rugs. Some guests are lucky enough to own rag rugs passed down from family members. so sturdy and well-woven they are still in use today.

    Nancy Gossell weaves on the Glimakra loom as ASI guests look on.

    This past Monday, Nancy Gossell, Judy Larson, and yours truly arrived at the ASI mansion in the wee hours of the morning to appear on a local news channel’s live broadcast. We were helping promote ASI’s “Cocktails in the Castle,” a night of celebration and craft (both the weaving and cocktail kind). Our interview appears about halfway through the video clip.

    https://www.fox9.com/video/1513598

    The exhibit will be on view at ASI through October 27. Scan Weavers will be on hand to weave on the following Thursday evenings: September 26, October 10, and October 24. Admission is free on Thursdays after 3:00 PM, so stop by if you can.

    For a lovely recap of the Karin Larsson exhibit, check out this article on the Modern Daily Knitting blog:

    https://www.moderndailyknitting.com/community/meet-the-mother-of-swedish-style-fiber-craft/

    If you’re not able to make it to Minneapolis to see this marvelous exhibit, you’ll have another opportunity in 2025 when it moves to the Swedish American in the historic Andersonville neighborhood in Chicago.

    https://swedishamericanmuseum.org/